Discovery Series II
Mixed media on canvas
76x101.5 cm (30x40 inches)
Untitled
Ink with mixed media on canvas
101.5x76 cm (40x30 inches)
Source of Longing III
Ink on canvas
122x71 cm (48x28 inches)
Carte Perdue
Mixed media on canvas
61x91.5 cm (24x36 inches)

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We Dream and We Know
Gouache on archival pigment print
46x61 cm (18x24 inches)

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Source of Longing II
Ink on canvas
71x122 cm (28x48 inches)
Source of Longing I
Ink on canvas
71x122 cm (28x48 inches)
Still Dream
Mixed media on panel
71x71 cm (28x28 inches)

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Time Keeping Green Earth
Ink and acrylic on canvas
76x102 cm (30x40 inches)

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Time Keeping
Acrylic on canvas
122x122 cm (48x48 inches)

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Moving Flow of Stillness III
Ink on handmade paper
38x38 cm (15x15 inches)
Moving Flow of Stillness I and II (diptych)
Ink on paper
79x107 cm (31x42 inches)
Moving Flow of Stillness VI
Ink on watercolour paper
30.5x39 cm (12x15.5 inches)
Notes for Binding
Ink on paper
52x66 cm (20.5x26 inches)
Moving Flow of Stillness II
Ink on handmade paper
38x48 cm (15x19 inches)
Moving Flow of Stillness V
Ink on watercolour paper
38x48 cm (15x19 inches)
Notes for Binding
Ink on paper
56x77.5 cm (22x30.5 inches)
Untitled
Acrylic with ink on canvas
84x147 cm (33x58 inches)
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Out of Stillness, Installation 2
Out of Stillness, Installation 3
Out of Stillness, Installation 1

The Circle of Life


“Out of life comes death,
and out of death, life.

Out of the young, the old,
and out of the old, the young.

Out of waking, sleep,
and out of sleep, waking.

The stream of creation and dissolution
never stops.”— Heraclitus 5th c.

This series records the attention being placed, and placed again, using ink applied to paper. By the brush consistently following the breath, absorbed in the gesture, stability is found within the exhale. The work focuses on recording each aware second as it arrives…a document of one present moment after another.


Noticeably throughout the series the smallest variations within the repetitions create fields of unintended pattern. Physics however tells us there is a constant tendency for patterns to emerge. Observing this, these fields create a spacious ambiguity which allows infinite possibilities.


This placing focused attention is a method of opening to these larger contexts of internal spaciousness. In this way painting becomes a method of meditation.